Julie Bovasso  Actress, Playwright, Poet & Innovator

 

Writings of Julie Bovasso


 

 

The Moon Dreamers: A Play in Two Acts with Music (first produced
      Off-Broadway at La Mama Experimental Theatre Club, 1968; new
      version produced Off-Broadway at Ellen Stewart Theater, December
      8, 1969), Samuel French, 1969.

 

 

Gloria and Esperanza: A Play in Two Acts (first produced
      Off-Broadway at La Mama Experimental Theatre Club, 1968; produced
      on Broadway at ANTA Theatre, 1970), Samuel French, 1969. read critic
   

 

 

Monday on the Way to Mercury Island, first produced, with
      "Shubert's Last Serenade," Off-Broadway at La Mama Experimental
      Theatre Club, 1971.

 

 

Shubert's Last Serenade, (first produced, with "Monday on the
      Way to Mercury Island," Off-Broadway at La Mama Experimental
      Theatre Club, 1971; produced, with "The Final Analysis" and "Super
      Lover," Off-Broadway at La Mama Experimental Theatre Club, 1975),
      published in Spontaneous Combustion: Eight New American Plays,
      edited by Rochelle Owens, Winter House, 1972.

 

 

 

Down by the River Where Water Lilies Are Disfigured Every Day,
      first produced in Providence, R.I., by Trinity Square Repertory
      Co., at Bridgham Street Theater, December 20, 1971, produced in
      New York City by Circle Repertory Co., March, 1975; "The Final
      Analysis," first produced, with "Shubert's Last Serenade" and
      "Super Lover," Off-Broadway at La Mama Experimental Theatre Club,
      1975.

 

 

Super Lover, first produced, with "Shubert's Last Serenade" and
      "The Final Analysis," Off-Broadway at La Mama Experimental Theatre
      Club, 1975.

 

 

 

The Nothing Kid, first produced, with "Standard Safety,"
      Off-Broadway at La Mama Experimental Theatre Club, 1975.

 

 

 

Standard Safety, first produced, with "The Nothing Kid,"
      Off-Broadway at La Mama Experimental Theatre Club, 1975.

 

 

 

 

 

 

Roles & Performances

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Review from the Zellerbach performance

ernest schier review from the zellerbach performance of julie bovasso play read the original review

 

 

 

Links

The American Avant-Garde Theatre

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